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Der Fliegende Tisch Zaubertrick

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New York Burghal Opera opens its bounce 2013 division with a new assembly of Powder Her Face (1995), composed by Thomas Adès (b.1971) to a libretto by Philip Hensher (b. 1965). The apple premiere of the opera, aggressive by a sex aspersion that rocked Britain in the aboriginal 60s, not abandoned acquired controversy, with its on-stage delineation of fellatio, but additionally propelled Adès to all-embracing recognition.

Schwebender Tisch Zaubertrick - Floating Table

Schwebender Tisch Zaubertrick – Floating Table

Conducted by Jonathan Stockhammer, whose adeptness is as musically cannibal as Adès’ score, and directed by Jay Scheib, who is accepted for technologically affluent affected innovation, the opera allotment to BAM, area it was semi-staged at the Majestic (now Harvey) Amphitheater as allotment of the 1998 Abutting Wave Festival.

Performances will booty abode February 15-23 at the BAM Howard Gilman Opera House (30 Lafayette Avenue, Brooklyn): February 15, 21 and 23 at 7:30 P.M., and February 17 at 1:30 P.M. Tickets, $25-$250, can be purchased at 718.636.4100 or BAM.org. Please note: The assembly contains dishabille and scenes of a animal nature; affectionate acumen is advised.

Powder Her Face centers about a alternation of Polaroids presented during the 1963 annulment case adjoin Margaret Campbell, Duchess of Argyll. In the pictures, Campbell, dubbed the “Dirty Duchess” for the eighty-eight men with whom she allegedly had extramarital affairs, appeared nude, cutting abandoned her signature fair necklace. Some of the photos showed the Duchess assuming articulate sex on a man whose face was not visible. He was crowned “the headless man” by the tabloids, and his appearance was the accountable of abundant speculation.

Through the prism of Campbell’s activity story, Powder Her Face explores the circle of gender, backroom and power. Scheib has said, “Powder Her Face, with its accelerated turns, feels on the apparent like a Don Giovanni-but this one’s about a woman who does what she wants how and aback she wants. Adès has singlehandedly adored the acceptability of one Dirty Duchess, as dreamt by Jean Genet-and the music is actually thrilling.”

With the barring of the “sterling tenor” (American Theater) William Ferguson, whose role as the Electrician follows abounding others with New York Burghal Opera, the absolute Powder Her Face casting and artistic team-including Stockhammer and Scheib-is new to the Company. British mezzo-soprano Allison Cook, who afresh garnered acclamation for her Teatro alla Scala admission in the apple premiere of Luca Francesconi’s Quartett (with consecutive performances at the Wiener Festwochen), will be alien to American audiences as the Duchess. As the Maid, coloratura acute Nili Riemer will accomplish her Aggregation debut, accepting won acclaim as the Queen of the Night in assorted European and American productions of Die Zauberflöte, amid added roles. Matt Boehler, whom The New York Times has accounted “a bass with an attitude and the appurtenances to aback it up,” and whom The Washington Post hailed as “a supple, blaring bass,” makes his Aggregation admission in the role of the Hotel Manager.

Several favorites of the burghal amphitheater arena will accept non-singing roles, including Jon Morris (Fuerza Bruta, Scheib’s Apple of Wires) as the Waiter and Kaneza Schaal (The Wooster Group, Elevator Repair Service) as the Nurse. The casting additionally appearance a non-singing choir of thirty nude men.

For Scheib, Powder Her Face follows Apple of Wires (based on Rainer Werner Fassbinder’s Welt am Draht), which premiered at The Kitchen in January 2012, won Scheib a 2012 Obie Accolade for Direction, becoming babble reviews and has toured internationally. The administrator applies his signature multimedia access to Adès’ opera, with sets by Marsha Ginsberg, apparel by Alba Clemente, lighting by Thomas Dunn and bump architectonics by Joshua Higgason.

Powder Her Face is the third assembly in a accord New York Burghal Opera has artificial with BAM, which will serve as the Company’s Brooklyn abject through the 2014-15 season. As New York Burghal Opera continues to bout appropriate projects with acceptable venues beyond the city, BAM and New York Burghal Center, the Company’s aboriginal home, will serve as its primary theaters. The above acoustics of BAM’s 2,100-seat, 19th-century-style Howard Gilman Opera House enhances the adeptness of singers and musicians, and the venue’s acceptable Fort Greene area offers a balmy acceptable to the New York Burghal Opera’s loyal audiences while additionally allowance to allure a new, assorted and agog fan base.

Powder Her Face Personnel

* Denotes New York Burghal Opera debut

Allison Cook* (Duchess)Nili Riemer* (Maid)William Ferguson (Electrician)Matt Boehler* (Hotel Manager)Jon Morris* (Waiter)Kaneza Schaal* (Nurse)

Jonathan Stockhammer* (Conductor)Jay Scheib* (Production Director)Marsha Ginsberg* (Set Designer)Alba Clemente* (Costume Designer)Thomas Dunn* (Lighting Designer)Joshua Higgason* (Projection Designer)


Jonathan Stockhammer (Conductor)

Powder Her Face marks the New York Burghal Opera admission of the American-born, Berlin-based aqueduct Jonathan Stockhammer.

He has formed with the Los Angeles Philharmonic, Oslo Philharmonic, NDR Symphony Orchestra Hamburg, Czech Philharmonic Orchestra and the Sydney Symphony Orchestra, and has appeared at the Salzburg Festival, Donaueschingen Music Days and Wien Modern.

Mr. Stockhammer began the 2012-13 division with his Bamberg Symphony admission concert, administering works by Mozart and Rihm. With the Junge Deutsche Philharmonie, he will additionally accomplish his admission at Alte Oper Frankfurt. Added highlights of the division are re-invitations to the Oslo Philharmonic, Salzburg Biennial, Radio Kamer Filharmonie, Remix Ensemble Porto and Schwetzinger Festspiele.

Opera is axial to Jonathan Stockhammer’s work. The operas he has conducted, including Weill’s Die Dreigroschenoper, Zemlinsky’s Eine florentinische Tragödie, Sciarrino’s Luci mie traditrici and Damon Albarn’s Monkey: Journey to the West, analyze him as a aqueduct who welcomes and masters the difficulties presented by circuitous array and special, cross-categorical productions. Back 1998, he has been a approved bedfellow at the Opéra de Lyon, area he has back conducted the acknowledged French premiere of Dusapin’s Faustus, the Aftermost Night. In the 2010-11 division he gave his acknowledged admission with the Radio Kamer Filharmonie at the Concertgebouw Amsterdam with Faustus. Afterwards premiering Wolfgang Rihm’s Proserpina in May 2009 with the Stuttgart Radio Symphony Orchestra, he alternate to conduct the orchestra at Strasburg’s Festival Musica in September 2009 with accession Rihm work, Deus Passus. In 2010, he conducted the Orchestre Philharmonique de Radio France in a assembly of Sondheim’s A Little Night Music at the Théâtre du Châtelet Paris. In abatement 2011, he directed the Swiss premiere of Zwicker’s Der Tod und das Mädchen at the Amphitheater St. Gallen.

Aside from administering classical and adventurous masterpieces and classical abreast works, Mr. Stockhammer enjoys delving into music that blurs the boundaries amid classical, rock, pop and hip-hop. His CD Greggery Peccary & Added Persuasions with Ensemble Modern, featuring works by Frank Zappa, was appear in 2003 on RCA and won an Echo Klassik Award. He additionally recorded a new soundtrack to Sergei Eisenstein’s 1925 blur The Battleship Potemkin, composed and performed by the Pet Shop Boys. The alive recording of The New Crystal Silence that he conducted with Chick Corea, Gary Burton and the Sydney Symphony Orchestra won a Grammy Accolade in 2009. His accord with announced chat artisan Saul Williams on Said the Shotgun to the Head, featuring music composed by Thomas Kessler, has additionally been abnormally successful. To date, he has conducted the assignment with the WDR and SWR Symphony Orchestras and the Oslo Philharmonic. In March 2012, he conducted Heiner Goebbels’ Surrogate Cities at the South Bank Centre in London.

Jonathan Stockhammer aboriginal advised Chinese and political science afore affective on to studies in agreement and administering in his hometown of Los Angeles. During his studies, he abounding in for a alternation of concerts with the Los Angeles Philharmonic, afterwards which he was asked to become arch aqueduct Esa-Pekka Salonen’s assistant. Afterwards commutual his studies, Jonathan Stockhammer confused to Germany area he formed abutting relationships with acclaimed European apparel like Ensemble Modern, musikFabrik and Ensemble Resonanz.

Jay Scheib (Director)

Schallplattenfärbung alternativ - Zaubertrick

Schallplattenfärbung alternativ – Zaubertrick

Jay Scheib, a 2011 Guggenheim Fellow and a 2012 Obie Accolade almsman for Best Direction, is a director, artisan and columnist of plays, operas and alive art events. Internationally accepted for works of adventuresome physicality, genre-defying performances and abysmal affiliation of new technologies, Scheib’s 2012 productions accommodate Apple of Wires, which premiered at The Kitchen, followed by performances at Festival d’Automne in Paris and the Institute of Abreast Art Boston; a accord with choreographer Yin Mei and the Hong Kong Ball Aggregation blue-blooded The Seven Sages, in Hong Kong; and Fassbinder’s arguable comedy Garbage, the Burghal and Death in Oslo, Norway. Upcoming productions accommodate a alive drive-in cine adaptation of Chekhov’s Platonov at La Jolla Playhouse in the abatement of this year.

Past productions accommodate Bellona, Destroyer of Cities, presented at the Institute of Abreast Art in Boston and Maison des Arts in Créteil, France afterwards its New York run at The Kitchen; Evan Ziporyn’s A House in Bali, presented as allotment of BAM’s Abutting Wave Festival 2010; a new staging of Beethoven’s Fidelio at the Saarländisches Staatstheater in Saarbrücken; Brecht’s Puntila und sein Knecht Matti at Amphitheater Augsburg; This Abode is a Desert (ICA/Boston, Beneath the Radar Festival/Public Theater); and Addicted to Bad Ideas, Peter Lorre’s 20th Century, which played at Spoleto Festival, Urban Festival Helsinki, Luminato Festival Toronto, Peak Performances Montclair, Philadelphia Alive Arts Festival and more.

Other works accommodate the apple premiere of Irene Popovic’s opera Mozart Luster Lustik at the Sava Center, Belgrade, Serbia; Lothar Trolle’s Ein Vormittag in der Freitheit at the Volksbühne am Rosa-Luxemburg-Platz, Berlin; a new staging of the Novoflot science fiction opera adventure Kommander Kobayashi in Saarbruecken, Germany; and Untitled Mars (This Appellation May Change) at Accomplishment Amplitude 122 in New York and the State Amphitheater in Budapest, Hungary.

Named Best New York Amphitheater Administrator by Time Out New York in 2009, and called by American Amphitheater Annual as one of the 25 amphitheater artists who will appearance the abutting 25 years of American theater, Scheib is a almsman of The Edgerton Award, The Richard Sherwood Accolade and the NEA/TCG Affairs for Directors. He is a common bedfellow assistant at the Mozarteum in Salzburg, Austria and at the Norwegian Amphitheater Academy and is Assistant for Music and Amphitheater Arts at Massachusetts Institute of Technology.

Allison Cook (Duchess)

Mezzo-soprano Allison Cook is added in appeal for her amazing versatility. Contempo highlights accommodate her alarmingly acclaimed admission at Teatro alla Scala as the Marquise de Merteuil in the apple premiere of Luca Francesconi’s Quartett (with consecutive performances at the Wiener Festwochen) as able-bodied as Mme de Warens in the apple premiere of Philippe Fenelon’s JJR (Citoyen de Genève) for the Grand Théâtre de Genève, Brangäne (Tristan und Isolde) at the Prague State Opera and Adalgisa (Norma) on bout in the Netherlands. She additionally featured in two added contempo apple premieres: Mark Anthony Turnage’s Anna Nicole (in the role of Blossom) and Michael Berkeley/Ian McEwan’s For You, both at the Royal Opera House, Covent Garden. Upcoming engagements accommodate added performances of Quartett at the Cité de la Musique, the Holland Festival, Strasbourg Festival, Casa da Musica (Porto) and the Gulbenkian (Lisbon); Britten’s Phaedra at the Barbican; and Margret (Wozzeck) at Covent Garden.

She is a above affiliate of Les Jeunes Voix du Rhin at the Opéra National du Rhin in Strasbourg and the Centre de Formation Lyrique at the Opéra National de Paris. Her European success has been congenital on performances such as Der Komponist (Ariadne auf Naxos) in Strasbourg; Der Trommler (Der Kaiser von Atlantis) for l’Opéra National de Lorraine in Nancy and at the Cité de la Musique; Valetto and Fortuna (L’Incoronazione di Poppea) with Les Musiciens du Louvre at the Wiener Festwochen and Festival Aix-en-Provence as able-bodied as the appellation role in the aforementioned opera in Dublin; Baba the Turk and Mother Goose (The Rake’s Progress) for Théâtre et Musique in Paris; and the apple premiere of Peter Eötvös’s Le Balcon in Aix-en-Provence.

Her advancing affiliation with the Royal Opera House, Covent Garden has to date additionally included the appellation role in John Browne’s Babette’s Feast and Kate Julian (Owen Wingrave) as able-bodied as accoutrement Countess Geschwitz (Lulu) and Ariadne in the apple premiere of Sir Harrison Birtwistle’s The Minotaur. For Glyndebourne on Bout she has performed Prince Orlofsky (Die Fledermaus) and the appellation role in Carmen. She additionally sang the appellation role in La Cenerentola at the Shanghai All-embracing Arts Centre.

Allison Cook’s concert performances ambit from the BBC Proms (Poulenc’s Dialogues des Carmelites and Vaughan Williams’ Serenade to Music) to Schoenberg’s Das Buch der hängenden Gärten at the Louvre, with orchestras such as the BBC Symphony Orchestra and the Münchner Symphoniker. Conductors and date admiral she has formed with accommodate Sir Antonio Pappano, Sir Andrew Davis, James Conlon, Louis Langrée, Stéphane Denève, Mark Minkowski, Susanna Mälkki, Robin Ticciati, Richard Jones, Robert Carsen, Stephen Langridge, Àlex Ollé (La Fura dels Baus), Stephen Lawless, Marthe Keller and Irina Brook.

Nili Riemer (Maid)

Lauded by the Cleveland Plain-Dealer for her “graceful agility, ascent to animated aerial notes” and her use of “coloratura autograph as an addendum of character,” Nili Riemer makes her New York Burghal Opera admission in Powder Her Face.

She afresh alternate to Oper Leipzig as Zerbinetta in Ariadne auf Naxos. Aftermost season, she alternate to the role of Königin der Nacht in Die Zauberflöte and the appellation role in Arriaga’s Die arabische Prinzessin with Oper Leipzig, and fabricated debuts with the Lyric Opera of Chicago as Najade in Ariadne auf Naxos and the Saarländisches Staatstheater Saarbrücken as the boundless Sehr hoher Sopran in Rihm’s Eroberung von Mexico.

The soprano’s contempo performances accommodate Königin der Nacht in Die Zauberflöte in a new assembly with Opera Royal de Wallonie, at the Staatstheater Wiesbaden, the Minnesota Orchestra with Osmo Vänskä conducting, and in a acknowledgment to Stadttheater Heidelberg; the Controller in Dove’s Flight with Austin Lyric Opera, area she advanced sang Princess Laoula in L’Étoile; and a acknowledgment to the Lyric Opera of Kansas Burghal for Marie in La fille du régiment. She has enjoyed a able accord with Minnesota Opera as a above Citizen Artisan and has abutting the aggregation for Olympia in Les contes d’Hoffmann, Oscar in Un ballo in maschera, the appellation role of Lakmé, and Barbarina in Le nozze di Figaro.

Her added contempo performances accommodate the appellation role of Lucia di Lammermoor in the opera’s originally composed college keys with Cleveland Opera; her European admission singing Cunegonde in Candide with the Kammerchor-Steffisburg in Thun, Switzerland; Blondchen in Die Entführung aus dem Serail with Anchorage Opera; Olymphia in Les contes d’Hoffmann with Des Moines Metro Opera; Mabel in The Pirates of Penzance with Lyric Opera of Kansas City; Despina in Così fan tutte with Chautauqua Opera; and Clorinda in La cenerentola with Florida Grand Opera.

The acute has abutting Tri-Cities Opera for arch roles including Rosina in IL Barbiere di Siviglia, Königin der Nacht in Die Zauberflöte, the appellation role in Lucia di Lammermoor, Marie in La fille du régiment, and Monica in The Medium. As a above affiliate of Chautauqua Opera’s Studio Artisan Program, she sang Suor Genovieffa in Suor Angelica and Barbarina in Le nozze di Figaro. Added roles to the soprano’s acclaim accommodate Mademoiselle Silverpeal and Madame Goldentrill in Mozart’s Impresario at the All-embracing Articulate Arts Institute in Tel Aviv, and Le Feu and Le Rossignol in L’enfant et les sortilèges at the Lowell House Operain Boston.

Also a able concert performer, Ms. Riemer abutting Robert Spano and the Atlanta Symphony Orchestra for Donald Sur’s Slavery Documents in a Martin Luther King Day concert advertisement on National Accessible Radio and the Brooklyn Philharmonic for a concert featuring Zerbinetta’s admiration aria from Ariadne auf Naxos. She has articulate Barber’s Prayers of Kierkegaard and Bernstein’s Chichester Psalms with the Binghamton Philharmonic, and Handel’s Messiah with the New Choral Society. She abutting the Binghamton University Concert Orchestra as a bedfellow artisan for Orff’s Carmina Burana and the Tufts University Concert Orchestra for Poulenc’s Gloria, and has performed Brubeck’s Gates of Justice at the Newport Jazz Festival.

Ms. Riemer has accustomed a cardinal of awards from the Gerda Lissner Foundation, Shoshana Foundation, Career Bridges, Schubert Club Competition, Altamura-Caruso All-embracing Articulate Competition, Queens Opera Competition and Nebraska commune Metropolitan Opera National Council Auditions. Built-in in Israel, the acute holds a Adept of Music amount from the State University of New York-Binghamton and is a alum of the dual-degree affairs at New England Conservatory of Music and Tufts University, area she becoming a Bachelor of Music and a Bachelor of Arts with a absorption in All-embracing Relations.

William Ferguson (Electrician)

Acclaimed for his versatility in both opera and concert, tenor William Fergusonmade his admission with the Santa Fe Opera in 2006 as Caliban in the North American premiere of Thomas Adès’ The Tempest, and in 2005 he angled in Sydney with Opera Australia, singing Truffaldino in a new assembly of The Love for Three Oranges directed by Francesca Zambello and conducted by Richard Hickox (subsequently appear on bunched disc beneath the Chandos label). The aforementioned year, Ferguson abutting the agenda of The Metropolitan Opera, area he has performed Beppe in Pagliacci as able-bodied as roles in Le Nozze di Figaro and The Magic Flute (under the billy of James Levine). With New York Burghal Opera, his performances accept included the appellation role in Candide, Nanki-Poo in The Mikado, the Funeral Administrator in A Quiet Place, and two appearances as Hérisson de Porc-Épic in L’Étoile, amongmany others.

Additional credits accommodate Andres in Wozzeck with Opera Festival of New Jersey, Ferrando in Così fan tutte at The Aspen Music Festival, Carl in Bitter Sweet for the Bard SummerScape Festival, Pang in Turandot with Opera Aggregation of Philadelphia, Frederic in The Pirates of Penzance with both Virginia Opera and Opera Omaha, the Sailor in Dido and Aeneas with Gotham Alcove Opera, the appellation role in Albert Herring directed by Lotfi Mansouri at The Music Academy of the West, Gonzalve in L’Heure Espagnole and Fenton in Falstaff at the Tanglewood Music Center (both with Seiji Ozawa), and Peter Quint in The Turn of the Screw at the Chautauqua Institution. Mr. Ferguson has additionally performed with Opera Orchestra of New York at Carnegie Hall on several occasions, including as Nick in La Fanciulla del West and as Laërte in Mignon. A acute analyst of new music, Mr. Ferguson sang Bentley Drummle in Dominick Argento’s Miss Havisham’s Fire at Opera Theatre of St. Louis and performed in the apple premiere productions of Anthony Davis’ Wakonda’s Dream with Opera Omaha, Robert Aldridge’s Elmer Gantry with Peak Performances at Montclair, and operas by Lee Hoiby and Harold Farberman. While in St. Louis, Mr. Ferguson sang the role of Hippolyte in Rameau’s Hippolyte et Aricie as a aftermost minute replacement, earning a analysis in Opera News advertence that he sang “with grace, and arresting self-possession.” He holds both Bachelor’s and Master’s of Music degrees from The Juilliard School and is a built-in of Richmond, Virginia.

A amorous concert and annual performer, Mr. Ferguson has appeared with The American Symphony Orchestra, BBC Orchestra (London), Boston Symphony Orchestra, Burghal of Birmingham Symphony Orchestra (England), Handel and Haydn Society, Houston Symphony, Los Angeles Philharmonic, Mostly Mozart Festival Orchestra, a New York, National Symphony Orchestra, New Jersey Symphony Orchestra, Aria Society of New York, Orchestra of St. Luke’s, and Radio Filharmonisch Orkest (Netherlands), as able-bodied as the bounded symphony orchestras of Bellingham, New Haven, Omaha, Richmond, Santa Barbara, Wheeling and Winston-Salem. Mr. Ferguson appears as Brian on the recording and DVD of Not The Messiah, a banana aria based on Monty Python’s blur Activity of Brian, recorded alive at the Royal Albert Hall in London. His repertoire ranges from that of Baroque masters to the difficult cycles of Schubert, Schumann, Janá?ek and Rorem-showcasing him beyond the United States in alcove programs and recitals for the 92nd Street Y, Bard Music Festival, Alcove Music Society of Lincoln Center, Marlboro Music Festival and Adolescent Concert Artists, amid others. Mr. Ferguson has performed abundantly with The Marilyn Horne Foundation, Five Borough Music Festival, as able-bodied as The New York Festival of Song.

9 Geheimnisse hinter den Zaubertricks - watson

9 Geheimnisse hinter den Zaubertricks – watson

Mr. Ferguson is the almsman of several awards and ceremoniousness including Aboriginal Abode in the Aria Society of New York Abandoned Competition, The Elihu Hyndman Career Grant from Opera Theatre of St. Louis, The Judges’ Accolade in the Opera Index Competition, a Bagby Foundation Career Grant and The Alan Weiler Accolade for Excellence presented by Opera Orchestra of New York. In 2003 he was awarded the Alice Tully Articulate Arts Admission Annual Accolade acceding him a New York annual admission in Alice Tully Hall.

Other contempo performances accommodate a staged assembly of Handel’s Messiah with the Pittsburgh Symphony Orchestra, appearances with Orchestra of St. Luke’s, the Richmond Symphony, The Waterbury Symphony, a apple premiere song aeon by Chester Biscardi with the new music ensemble Sequitur, recitals with guitarist David Leisner in New York and Nebraska, a concert with cellist Yahuda Hanani at Ozawa Hall at Tanglewood, and Nanki-Poo in The Mikado with Opera Omaha.

Matt Boehler (Hotel Manager)

Matt Boehler has been alarmingly acclaimed both for his affecting accomplishment and his articulate ability. With Wolf Trap Opera Company, Mr. Boehler garnered abundant acclaim in the appellation role in Sweeney Todd. The Washington Post wrote, “There are times, in fact, aback this adolescent man with a huge crossover career advanced of him is continuing in a army of actors, and you’d affirm he was the abandoned being onstage.”

In 2012-13, Mr. Boehler has abutting the ensemble of Amphitheater St. Gallen in Switzerland as Sarastro in Die Zauberflöte, Il Pedone in La Wally, and Sparafucile in Rigoletto, a role he debuted aftermost summer with the Minnesota Orchestra. He will acknowledgment to Amphitheater St. Gallen as Count Horn in Un ballo in maschera this bounce and as Leone in Attila this summer. In December, he won acclaim in performances of Messiah with Musica Sacra New York at Carnegie Hall. This bounce he will accomplish his Madison Opera admission as Leporello in Don Giovanni.

In 2013-14, Mr. Boehler makes his debuts with both the Canadian Opera Aggregation and The Metropolitan Opera. He allotment to Switzerland as well, singing Baldassare in La favorita, Daland in Die Fliegende Höllander, and Leporello in Don Giovanni with Amphitheater St. Gallen.

In the 2011-12 division he sang Drebednev in Moscow, Cheryomushki with Chicago Opera Theater, Nourabad in Les pêcheurs de perles for Hawaii Opera Theater, and two operas by Philip Glass: In the Penal Colony with American Opera Projects and Kepler with Spoleto Festival USA. Additionally he was heard in performances of Messiah with the Jacksonville Symphony and the Portland Baroque Orchestra.

In contempo seasons, Mr. Boehler has enjoyed active opera and concert schedules. He abutting the rosters of Lyric Opera of Chicago and The Metropolitan Opera, accoutrement roles at both houses. He has been featured in productions with Minnesota Opera, Opera Theatre of Saint Louis, Wolf Trap Opera, Opera Lyra Ottawa, Axial Burghal Opera, Florentine Opera, Hawaii Opera Theater, Opera New Jersey and Festival Lyrique-en-mer. In concert, he has been heard with the New York Philharmonic, Baltimore Symphony Orchestra, American Symphony Orchestra, Orpheus Alcove Orchestra and Aria Society of New York. He has been apparent in several alarmingly acclaimed performances with the New York Festival of Song, and he afresh appeared in annual with the Lotte Lehmann Foundation in their aboriginal anniversary Emerging Artists Concert Series.

Mr. Boehler is additionally a common assistant aural the apple of abreast music. He has appeared in two John Musto apple premieres: The Inspector with Wolf Trap Opera and Bastianello, forth with William Bolcom’s Lucrezia, with New York Festival of Song. He premiered Michael Dellaira’s The Secret Agent with Center for Abreast Opera and appeared in Dominick Argento’s Casanova’s Homecoming and Poul Ruders’ The Handmaid’s Tale, both with Minnesota Opera. His discography includes recordings of Bastianello and Lucrezia with NYFOS and an anthology of songs by Stefan Wolpe with pianist Ursula Oppens. He can additionally be heard on recordings of Bernstein’s Mass with Baltimore Symphony Orchestra and Schumann’s Scenes from Goethe’s Faust with American Symphony Orchestra.

He is a alum of the Juilliard Opera Center and he captivated a three-year administration as a citizen artisan with Minnesota Opera. At Viterbo University, his aboriginal alma mater, he accelerating with a amount in Theatre Arts.

Jon Morris (Waiter)

Jon Morrishas performed and created with Fuerzabruta, Cirque du Soleil, Theatre de la Jeune Lune, Patrice Chereau, Robert Wilson, Jay Scheib, Tina Landau, Aszure Barton, Spymonkey, Diavolo Ball Theatre, Ken Roht and Fabulous Monsters. He has appeared in films by Jonathan Dayton and Valari Faris, David Michalek and Anson Mount. He is the founder/director of The Windmill Factory. Contempo projects accommodate Castle of Shadows in Cartagena, Colombia; Balloon Vortex at MIT’s Media Lab and for Red Bull; Reflecting the Stars, recreating the night sky in the Hudson River; Our Hearts, a music video for the bandage Firehorse; Atomic Burghal at Robert Wilson’s Watermill Center/La Mama E.T.C.; and The Wedge, a all-embracing slide/aerial accomplishment amplitude at Burning Man. Mr. Morris is a Thomas J. Watson Fellow, a Tennessee Williams Fellow, a six-time All-American Springboard Diver, and holds a B.A. from the University of the South, Sewanee. He has able adept classes at NYU, Pace, Vanderbilt and the University of the South.

Kaneza Schaal (Nurse)

Ms. Schaalfirst formed with Jay Scheib in Bellona: Destroyer of Cities at The Kitchen. She performs with The Wooster Accumulation in Vieux Carré (Baryshnikov Arts Center) and Aboriginal Plays (St. Ann’s Warehouse), the company’s accord with New York Burghal Players directed by Richard Maxwell. Schaal abutting Elevator Repair Service in 2007, alive on The Sound and The Fury (New York Amphitheater Workshop)and again on The Select (NYTW). Her blur credits accommodate Kathryn Bigelow’s Zero Dark Thirty and Chelsea Kinght’s The End of All Resistance. Currently she is alive on Claude Wampler’s N’a pas un gramme de charisme at The Kitchen and developing Bury Me: Antigone X, a activity she will premiere this fall. Ms. Schaal accustomed a Princess Adroitness George C. Wolf Accolade and becoming her BA from Wesleyan University.

Marsha Ginsberg (Set Designer)

Marsha Ginsbergworks in the interdisciplinary overlap amid breathtaking architectonics for amphitheater and opera, accession art and photography. She advised amphitheater architectonics at NYU Tisch School of Arts, and Beheld Arts at the Whitney Museum Independent Study Affairs and Cooper Union, School of Art. Opera: With administrator Christopher Alden: Phaeton, Saarlandisches Staatstheater; Die Entführung aus dem Serail, Amphitheater Basel; Imeneo, Glimmerglass Opera; Carmen, Nationaltheater Manheim; In Mahler’s Shadow, EOS Orchestra; La serva padrona, Le pauvre matelot, Rita, San Francisco Opera Center. With Roy Rallo: The Methusalem Projekt, Nationaltheater Weimar; Ariadne auf Naxos, Opera National de Bordeaux; Don Pasquale, Nationaltheater Weimar; La finta Giardiniera, San Francisco Opera Center; Bluebeard’s Castle and Elektra, Continued Beach Opera. With Ken Rus Schmoll, sets and apparel for the U.S. premiere of Wolfgang Rihm’s Proserpina, Spoleto Festival. Contempo theater: Environment/costumes for Habit, by David Levine, Luminato Festival, Toronto, Mass MoCA & Watermill Center; Blueflower, directed by Will Pomerantz, A.R.T. (Elliot Norton Accolade for Outstanding Design); Lascivious Something, Sheila Callaghan, Women’s Project; Bleakhouse with Heiko Kalmbach, Bauhaus Festival, Theaterhaus Jena; Kafeneion directed by Dimitri Kourtakis, Athens/Epidaurus Festival; The Obie Award-winning Telephone, directed by Ken Rus Schmoll, The Foundry Theatre; Knock-Out directed by Heiko Kalmbach, Thalia Theater, Hamburg; Theaterhaus Jena. Select abandoned and accumulation exhibitions: Affective House, Sheffield Historical Society; Pavlov’s Lab and Added Rooms, abandoned display at Magnus Muller Gallery, Berlin; Architectonics Activity Now, National Architectonics Triennial, Cooper Hewitt Museum, ICA Boston and Abreast Arts Museum, Houston. Ms. Ginsberg has accustomed a NEA/TCG career development accolade and assorted MacDowell Colony fellowships.

Thomas Dunn (Lighting Designer)

Thomas Dunn designs lighting for architecture, dance, music, theater, and beheld art venues in the US and abroad. Architectonics credits accommodate works with The Civilians (Gone Missing and Paris Commune), DD Dorvillier/human approaching ball bandage (Coming Out of the Night With Names, No Change or “freedom is a psycho-kinetic skill,” Nottthing Is Importanttt, for which he accustomed a 2007 Bessie Award, and Choreography, a Prologue for the Apocalypse of Understanding, Get Ready!), Sens Production/Noémie Lafrance (Noir, Agora, Melt, Rapture and Home), and Trajal Harrell (Notes On Less Than Zero, Afore Intermission, Showpony, and Quartet for the End of Time). Mr. Dunn accustomed a 2009 Kevin Kline Accolade for Outstanding Lighting Architectonics for The Little Dog Laughed, with The Repertory Theatre of St. Louis. He was able at Bennington College and Yale School of Drama.

Alba Clemente (Costume Designer)

Alba Clementestudiedset and apparel architectonics at the Accademia delle Belle Arti in Naples, Italy while assuming as an extra in abounding classical and beginning productions in Naples and Rome. Afterwards a continued hiatus, during which she aloft a family, she alternate to the theater. In 2009, she advised the apparel and accomplishments for Fabricated in Naples by Karole Armitage, and in 2012 she began accommodating with Jay Scheib on Apple of Wires. Currently, Mrs. Clemente is the agent in New York for the Spoleto Amphitheater Festival. In addition, she has accounting songs with Thomas Lauderdale for the bandage Pink Martini, with which she has additionally appeared onstage.

Joshua Higgason (Projection Designer)

Magic Zylinder

Magic Zylinder

Mr. Higgason has toured internationally with The Builders Association, Big Ball Theater, Sufjan Stevens, Toni Dove and Jay Scheib, on Scheib’s Bellona. His assignment has been apparent and heard at Carnegie Hall, BAM, The Kitchen, The Flea, HERE, La Jolla Playhouse, Philly Alive Arts and added notable venues. Contempo projects accommodate Jim Findlay’s Botanica, The Builders Association’s Sontag:Reborn and House/Divided, and Big Ball Theater’s Supernatural Wife. He is a founding accomplice in Workhorse, a alive accident media company.

Thomas Adès (Composer)

Born in London in 1971, Thomas Adès advised piano (Michael Blackmore and Paul Berkowitz), agreement (Erika Fox and Robert Saxton) and bang at the Guildhall School of Music & Drama, and apprehend music at King’s College, Cambridge. In 1993 he fabricated his annual admission as pianist and artisan at the Park Lane Accumulation in London.

Between 1993 and 1995 he was Artisan in Affiliation with the Hallé Orchestra, which resulted in These Premises Are Alarmed for the aperture of the Bridgewater Hall in 1996. Asyla (1997) was a Feeney Trust agency for Sir Simon Rattle and the CBSO, who toured it calm and again it at Symphony Hall in August 1998, in Rattle’s aftermost concert as Music Director. Rattle afterwards programmed Asyla in his aperture concert as Music Administrator of the Berlin Philharmonic Orchestra in September 2002.

Powder Her Face (commissioned by Almeida Opera for the Cheltenham Festival in 1995), Adès’ aboriginal opera, was televised by Channel Four, and is accessible on a DVD as able-bodied as an EMI CD. Best of the composer’s music to date has been recorded by EMI. Adès’ additional opera, The Tempest, was commissioned by London’s Royal Opera House and was premièred there in February 2004 and active in 2007.

In September 2005 a Violin Arrangement for Anthony Marwood was premiered at the Berliner Festspiele and the BBC Proms, with the Alcove Orchestra of Europe beneath his baton. His additional agreeable assignment for Simon Rattle, Tevot (2007), was commissioned by the Berlin Philharmonic and Carnegie Hall. In 2008 Adès collaborated with video artisan Tal Rosner on a agency from the Los Angeles Philharmonic and London’s Southbank Centre for a piano arrangement with affective angel (In Seven Days). This assignment was accustomed its apple premiere in April 2008 by Nicolas Hodges, the London Sinfonietta and Adès at the Royal Festival Hall, London.

Among the festivals at which he has been the featured artisan are Helsinki Musica Nova (1999), Salzburg Easter Festival (2004), Radio France’s Présences, Paris (2007), the Barbican’s ‘Traced Overhead’, London (2007), New Horizons Festival, St. Petersburg, Russia (2007), Royal Stockholm Philharmonic Festival (2009), Melbourne Festival (2010); in accession Carnegie Hall, New York appointed him to the R and B Debs Artisan Chair and featured him as composer, aqueduct and pianist throughout the 2007-08 season.

Adès is additionally a acclaimed analyst of a ambit of music as aqueduct and pianist. He has recorded composers including Kurtág, Janácek, Nancarrow, Stanchinsky, Grieg, Busoni, Stravinsky, Schubert, Ruders and Berlioz, and premiered and broadly performed several works by Gerald Barry. Orchestras he has conducted accommodate Burghal of Birmingham Symphony Orchestra, Los Angeles Philharmonic, Boston Symphony, Alcove Orchestra of Europe, Philharmonia, London Philharmonic Orchestra, Orchestre National de France, London Symphony Orchestra, Royal Stockholm Philharmonic, Hallé Orchestra, BBC, Finnish, Dutch, Danish and North German Radio Symphony Orchestras, Melbourne Symphony, Sydney Symphony and apparel such as Birmingham Abreast Music Group, London Sinfonietta, Ensemble Avant-garde and the Athelas Ensemble, Copenhagen.

Adès’ music has admiring abundant awards and prizes, including the Grawemeyer Accolade (2000), of which he is the youngest-ever recipient. He is the abandoned artisan to accept won the Royal Philharmonic Prize for Large-Scale Agreement three times.

Philip Hensher (Librettist)

Philip Hensherwas built-in in London in 1965 and was able at Oxford University. He is the columnist of eight novels and a accumulating of abbreviate stories. He has won abundant prizes, including the Somerset Maugham Accolade and the Stonewall Journalist of the Year. His 2008 atypical The Northern Clemency was shortlisted for the Man Booker Prize and The Commonwealth Prize. In 2003 he was nominated by Granta annual as one of 20 Best of Adolescent British Novelists. A approved attendance in the British media, Mr. Hensher writes a Wednesday cavalcade for The Independent, and additionally contributes to The Spectator and Mail on Sunday.

Mr. Hensher’ aboriginal novel, Added Lulus (1994), is set in Vienna and centers on a adolescent girl’s analysis of a ancestors affiliation with Alban Berg. His six years spent alive at the House of Commons in London provided the accomplishments to his additional novel, Kitchen Venom, appear in 1996. The book combines a adventure of annihilation and artifice at the House with a able annual of the aberrant relationships and rituals that accept been played out for centuries. It sparked altercation aback it was appear that the columnist had been absolved from his job as a aldermanic agent afterwards giving an account to the gay annual Attitude.

A.S. Byatt included Mr. Hensher’s abbreviate adventure “Dead Languages” in The Oxford Book of English Abbreviate Belief (1998). The Bedroom of the Mister’s Wife, a accumulating of abbreviate stories, was appear in 1999. Abounding of the belief had advanced been advertisement on radio or appear in newspapers and magazines including Granta, The Independent and The Erotic Review. Mr. Hensher’s best contempo atypical is Scenes from Aboriginal Activity (2012).

Philip Hensher lives in South London and is a affiliate of the Council of the Royal Society of Literature.


For about seventy years, back Mayor Fiorello La Guardia accustomed it as “The People’s Opera,” New York Burghal Opera has alien bearing afterwards bearing of adolescent singers who are stars in the making, brought the accessible agitative new works and compelling, beginning interpretations of classics, acted as a best for American composers and performers, and ensured that every New Yorker can acquaintance the alive art of opera.

Now is a time of amazing accomplishment by the Company. Beneath the administration of George Steel, New York Burghal Opera’s ninth General Manager and Artistic Director, the Aggregation will, in Bounce 2013, present four aboriginal productions, all by New Yorkers, in two of the city’s best iconic venues: the Brooklyn Academy Of Music and New York Burghal Center, New York Burghal Opera’s aboriginal home, which Mayor La Guardia dubbed “The People’s Theater.”

In the able three years, 64 singers and 25 admiral and designers accept fabricated their New York Burghal Opera debuts. Amid singers alone, those who accept gone from New York Burghal Opera debuts to all-embracing success are Joshua Hopkins (2011 A Quiet Place, fabricated his Metropolitan Opera admission in 2012); David Lomelí (2011 The Elixir of Love, debuted with Santa Fe in 2011 and Glyndebourne in 2012); Corinne Winters (2012 Rufus Wainwright Concert, 2012 George London Competition winner) and Anthony Roth Costanzo (2010 Partenope, fabricated his Metropolitan Opera admission in 2012).

These artists accompany the ranks of added than 3,000 adolescent singers whose all-embracing careers New York Burghal Opera has launched, including David Daniels, Joyce DiDonato, Lauren Flanigan, Reneé Fleming, Sherrill Milnes, Samuel Ramey, Beverly Sills, Tatiana Troyanos, Carol Vaness and Frederica von Stade, to name a few.

Many innovations that ascertain New York Burghal Opera’s appearance and mission-promoting accessibility through the use of supertitles, prioritizing affordable admission prices, adorning adolescent American artists, advancement 20th-century opera and American works and presenting groundbreaking productions-have been adopted by arch U.S. companies of all sizes.

Prior to New York Burghal Opera, Steel, a protégé of Leonard Bernstein, served as Executive Administrator of Columbia University’s Miller Theatre, which he adapted into one of New York’s best acclaimed showcases for aboriginal and avant-garde music. Mr. Steel has accustomed the Alcove Music America Accolade for Adventurous Programming alert (2001-02 and 2005), the 2003 Trailblazer Accolade from the American Music Center and the 2003 ASCAP Concert Music Award.

Der Tisch - Auktionshaus Lempertz

Der Tisch – Auktionshaus Lempertz

At New York Burghal Opera, Mr. Steel has able the aboriginal counterbalanced account the Aggregation has enjoyed in a decade. He has, in so doing, able a accomplishment that was all but doubtful aloof a few years ago: allowance the Aggregation acquisition a acceptable archetypal that will acquiesce it to abide accurate to its aboriginal affiance for decades to come.

Der Fliegende Tisch Zaubertrick – der fliegende tisch zaubertrick

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Der Fliegende Hut

Der Fliegende Hut

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Erscheinen Flaschen- in Ballon Zaubertrick Wein Champagner ...

Erscheinen Flaschen- in Ballon Zaubertrick Wein Champagner …

Zig Zag Bleistift - Zaubertrick

Zig Zag Bleistift – Zaubertrick

Kinderzauberer aus Heilbronn - Magier & Mentalist

Kinderzauberer aus Heilbronn – Magier & Mentalist

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Schwebender Tisch Zaubertrick   Floating TableSchallplattenfärbung alternativ   Zaubertrick9 Geheimnisse hinter den Zaubertricks   watsonMagic ZylinderDer Tisch   Auktionshaus LempertzDer Fliegende HutErscheinen Flaschen  in Ballon Zaubertrick Wein Champagner ...Zig Zag Bleistift   ZaubertrickKinderzauberer aus Heilbronn   Magier & Mentalist
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